Glossary of how basic terms are used in this book introduction



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WALT DISNEY’S CHARACTER
Page 93 of 296
Deeper Insights into the Illuminati Formula by Fritz Springmeier & Cisco Wheeler
3/1/2007
http://www.whale.to/b/sp/springmeier.html


Because the Disney deception is such a major Illuminati deception worldwide, and because Walt Disney was the major catalyst behind all the Disney theme parks, movies, trinkets etc. it is of importance to examine his character. In studying historical figures, this author has tried to get to the rock bottom truth. One may ask, how can this be done? -especially since there have been decades of myths spread by the establishment and their media? The following procedure which has worked with other historical figures was also done by this author with Walt Disney.
The first part of this author’s own procedure is to study everything that one can find on the man, paying special attention to what bias and vantage point another author comes from. Special attention is also paid to biographers who try to give the whole truth as they have found it, rather than approved biographies that repeat myths, platitudes, and flattery. The investigator has to be careful because there are authors who deceptively say in their introductions that they are "detached investigators" who are "going to be painfully honest in their reporting" when they actually are skillful coverup artists for the person they write about.
When your author, Fritz Springmeier, finished investigating written material about Walt Disney, then I mentally placed what I knew on the shelf temporarily, and did a handwriting analysis based on the scientific principles of
Graphoanalysis as well as the broader field of Graphology. This author is a Certified Graphoanalyst who has done handwriting analysis professionally. Using Graphoanalysis/graphology is an excellent way to get an unbiased very deep look at a historical figure. It is a way to by-pass all the propaganda and myths. However, a close historical look and the handwriting analysis (of various historical figures) have always matched each other, as they did in this case too.
Here is what was found. The following paragraphs are how Walt was in the 1920’s. The personality profile you will read did not endure. Under the pressure of micromanaging Disney Productions as well as living with financial stresses, by the 1940’s, Walt could be found in rages giving rough treatment to his wife, and rough spankings to his two children. He went to psychiatric counselling to cope with the stress. And unfortunately with the progression of time, by the 1960’s Walt had become a sadistic egotistical alcoholic. One biographer described him as "...a bully and a know-it-all" (Disney’s World, p. 220) Even then Walt had men working for him, such as Bill Walsh (who had been a orphan as a child) who worshipped Walt.
But here is how he was in the 1920’s: Walt was a self-motivated individual with lots of energy which was constantly seeking some outlet. (People have written much about this trait of his.) He was more the giver than the taker in relationships. (In the first few years, when he was responsible for making business contracts he often gave away his work without setting prices for profits. He even wrote letters to his boss to the effect that his first priority was good cartoons not profits, and that he’d work without profits, but he did want some appreciation for his work. That was his sensitive nature showing.) Walt wouldn’t wait for others to come up with an idea or someone else to make a move--he was there first.
He could communicate his ideas with clarity and ease and move easily from idea to another. (He would storm into Disney Productions and spew one idea after another into his workers’ ears.) He enjoyed competition. He had a quick mind and keen perception. He frequently acted on intuition and impulse, taking chances and endangering his own security. (He frequently gambled all his life savings and everything he could scrape together on a project.) Long projects bored him. (Fortunately the real tedious work of cartooning was done by a large staff of artists.) House chores and repetitive chores bored him and he avoided them. (He was absolutely a total slob around the house as a bachelor.) He was impatient with vague philosophies, he liked concrete realities.
He was difficult to get along with because he had both a playful side (even to the point of cruel practical jokes) to his personality and an aggressive intolerant impatient side that wanted to achieve. Naturally, people around him were disconcerted because on a subconscious level they never knew which side of him they would deal with. (The reference series Current Biography "Disney" article p. 248 gives the following Walt Disney quote,
"We don’t even let the word ‘art’ be used around the studio. If anyone begins to get arty, we knock them down.")
He was geared for action. He was always inventing ways to get what he needed. He could be explosive when
Page 94 of 296
Deeper Insights into the Illuminati Formula by Fritz Springmeier & Cisco Wheeler
3/1/2007
http://www.whale.to/b/sp/springmeier.html

provoked. (The old time associates of Walt remember his explosive temper.) He was a person of dynamic energy, sensuality and keen thinking, and a disciple of the pleasure principle. Because his father was so abusive and misused his position of authority, Walt came to be deeply ingrained with defiance toward authority. (The themes of his films repeatedly sympathize with those who rebel against authority, and the police and other authority figures are consistently shown as absurd. One way he expressed irresponsibility was with lively dance scenes, which has been a hall-mark of teenage rebellion during the 20th century. "Comic anarchy reaches its fullest expression in Alice Rattled by Rats, which shows what the rats do when the cats goes away!) He felt that rules were for others to follow. (That is one reason he would step outside of the law and commit illegal acts.
This is one trait that may be responsible for some of the criminal activities Walt ended up participating in.)
Walt also didn’t like to be closely supervised. (He wanted to manage his Disney Magic Kingdom as if it were his own kingdom. He wanted to be an authority figure, and indeed became the dictator of his Magic Kingdom.
When his workers differed with his own views he felt that they were infringing upon his own inalienable rights as an individual.) He was somewhat of a melancholic temperament, that type of perfectionist who still enjoys life. He felt a need to protect himself against intimacy with others. He was most home in a setting which he made for himself. Walt had the traits of an executive. He was slow to reveal his innermost feelings, and definitely set his own goals. Walt was one of those persons that when the going got tough, he hung in there.
Likewise he would cling to his ideas, plans, and possessions. (His stubborn refusal to allow his brother Roy to stop the creation of Disneyland led to events that split the brothers. His determination to succeed was taken advantage of by the crime syndicates to blackmail him with some debt. In order to get his dreams, he was willing to give them what they wanted.)
A clue to Walt’s macabre sense of humor, at times almost a graveyard sense of humor, and his high tolerance of seeing pain in others, is that Walt was seriously thinking of volunteering again as a medic after the W.W. I fighting in France was over, when volunteers were needed for the Balkan fighting. Walt loved animals more than people. The only human being that he had rapport with while growing up on the farm was his Uncle Ed
(who he called Uncle Elf), who looked like a cross between a leprechaun and a prune. Uncle Elf could make animals sounds and bird whistles to Walts delight. Walt loved the charm of the farm and nature and he loved royalty, pageantry and a strict social hierarchy such as Freemasonry provides. He often wove a combination of the barnyard in with royal parades and other trappings of royalty.
For instance, in Alice the Piper, the King Hamlin is a farmer who sleeps in a farmhouse. In Puss in Boots the local king lives in an authentic palace incongruously placed in a village. His early film Alice’s Day at Sea includes both the features of a royal court and an American circus. In typical Disney disdain for authority, he pokes fun at criminal fraternal groups with their rituals and passwords in Alice & the Dog Catcher, Alice Foils the Pirates, and Alice’s Mysterious Mystery. And while he was a secret FBI agent, he went against Hoover’s wishes and poked fun at the FBI’s authority. Walt was loyal to what he believed and could be loyal to those individuals who he deemed worthy of his loyalty, but he didn’t want anyone to have authority over him. (Walt was a 320 Freemason & an occultist, he was loyal to that philosophy and loyal in his early years to his older brother Roy O. Disney, who was a father figure to him.) If anyone at the studios agreed with him when he was angry at his brother Roy, he or she risked losing their job. Both brothers were protective of each other, and felt they were the only ones who could criticize the other one.


Deeper insights into the illuminati formula by fritz
Chapter 4. science no. 4 - hypnosis
Chapter 5: science no. 5 - the skill of lying, the art of deceit
Chapter 6: science no. 6-the use of electronics & electricity
Chapter 11: science no. 11- internal controls
Appendix 1 - programmers/researchers
Section c. the four types of "clones" that are used by the illuminati,
Warning, read this first before reading the book.
Introduction by fritz
Glossary of how basic terms are used in this book
Chapter 1. science no. 1 - selection & preparation of the victim
Breeding good subjects for hypnosis-hypnosis as it relates to selection & preparation of the
Training the unborn child
Common illuminati work with twins
Selection of adult candidates for mind-control
U.s. govt. mind-control level 1.
U.s. govt. mind-control level 2.
U.s. govt. mind-control level 3.
U.s. govt. mind-control level 5
Testing young children to plan the programming.
Chapter 2.science no. 2--the traumatization & torture of the victim
Daily abuse works best for programming
Anger-management-programming traumas
Silence programming traumas to teach silence
Torture for no-write
A trauma to develop animal alters
Trauma to isolate the victim
Chapter 3. science no. 3 the use of drugs
Administration of drugs for programming
More programming drugs (these were not listed in the vol.2 formula book)
Stabilizing the programming
Extensive research done to influence human memory by drugs
The basic phases of memory
Hiding the codes
Programming with lsd-25 (lysergic acid diethylamide)
Chemically triggering natural instinctual drives
Sexual stimulation-programming
Understanding the basics about hypnosis
The power of hypnosis
Understanding the deeper mechanics of hypnosis
Programming aids
Using holograms as an access aid
Preparing the brain
Early training for slaves
Magical training on the starlight level
The monarch programming script for over the rainbow
Deep trance programming
Color programming
The association of colorful sights, sounds, rhythm & dance.
Light & color
Special colors
Healing by correct vibrations & rays
Using hypnosis to heal the slave after abuse.
Hypnotic codes, cues and triggers
Monarch mind-control codes
B. beta (sexual)
C. chi (return to cult)
E. epsilon (animal alters)
I. janus-alex call backs (end-times)
J.>> omicron programming
M. songs & nursery rhymes
O. sample codes for alters.
P. catholic programming (by jesuits etc.)
Q. mensa programming (by mensa)
S. scriptures used in programming (cont. from vol. 2. chap. 10)
T. alien programming
Program codes during 1972-1976 for dr. green
The illuminati.
The establishment, the system.
Deception diminishes power
Be wise as serpents
Disinformation to make their double-agents look good
Names of types of disinformation agents
Tricking suspects
The names of deception tricks
One of the greatest deceptions of all time: disney
Observations about how the illuminati like to hide behind perfect
Contents in the disney deception section of chapter 5.
B. an overview
C. who was walt disney?
Personal details
Occult porn king
As a witness before congress
A possible chronology of events surrounding walt disney's illegitimate birth
D. who was roy o. disney?
E. who was roy b. disney?
The battle between the two disney factions
F. what do we know about the disney family in general?
G. a history of disney
Claude debussy
Some disney people of interest.
Warren beatty
Stephen bollenbach
The tommy dorsey band
Rich h. frank
The osmond brothers
Michael ovitz
Frank g. wells
Some of disney’s blatantly occult movies.
H. disney & its mob connections
Some mob history.
How the disney executives have figured out how to steal land all across the u.s.
Disney and the government
J. disney & mind control
Disney vacations for the elite
Disneyana for the programmed & obsessed.
Mind-control features in disney movies.
K. detailed script on how the disney film fantasia is used for programming
Types of sources
Section e. auxiliary uses of electronics & electromagnetic waves
Glossary of terms for understanding electronic mind control
B1. three typical implant victims
B2. documentation of implants.
B3. gwen towers
Section c. specific implants
Brief chronology of audio implants
Basics of how the implants can function
Uses of the implants
Part. b. secretly implanted audio implants.
Cochlear implants
C2. body manipulating implants
C3. visual/holographic implants
How they work
Typesfiber optics
Artificial lenses
Holographic or h-insert
C4. memex/brain link implants
Interface devices
Organic bioprocessors linked to viruses
C5. torture/nerve & muscle stimulation implants
C6. tracking & i.d. implants
Section d. direct monitoring & manipulation of the brain/mind
Tesla waves used to read minds & implant voices
D2. voices / or thoughts sent electronically directly into the mind
Summary of elf wave mind control capabilities
Section e. auxiliary uses of electronics & electromagnetic waves.
E2. polygraphs for monitoring programming and mission accomplishments
Liquid crystals
Bed coils standardized for mind-control potential
E4. virtual reality.
Chapter 7: the science of structuring
A. structuring of mpd worlds
Control alters called processors
The ferris-wheel subsystem
Data entry points
Testing alters to see if they can be used.
Assassination models (delta models).
Authority factors are maximized
Monkey alters.
Presidential models.
Prostitute models.
Reporting alters.
Repunzel alter.
Internal wall alters.
Structuring with the grand druid council.
Structuring the shadow alters
Structuring in the mirrors
Structuring the tapestry
Chapter 8: the science of body manipulation & programming
A. cranial manipulation
Cranial blood pressure has been kept a secret
Cerebral spinal fluid kept secret
The chinese secret occult society connection
The ancient egyptian connection
Another example
The japanese connection
The early european occult connection
Nineteenth century occult connection
The witchcraft connection
The modern american occult connection
Osteopathy and chiropractic
Bone & skull structure
Cerebrospinal fluid
Transcendental meditation (tm) & the hindu connection
The 3-in-one school connection.
B. genetic engineering
What we’ve covered
Chapter 9: the science of mind manipulation by psychological
Programming to hide revealing dreams
Programming language
Effects of programming
Perception clouds memory
Chapter 10: the 10th science — using spiritual things to control a
Part a. intro on the importance of spiritual programming tactics
Part b. the history of the programmed golem
Part c. the 3 foundations: loss of identity, fear, and demons
Understanding the relationship between fear & demons
Demon possession & spirit guards
The use of giving demonic assistance to entrap.
The use of occult focal points.
Does it glorify demons to cast them out?
Part d. a complete chronology of how the victim experiences the early spiritual
Part e. specific programming maneuvers. the manipulation of near-death-
Hiding the internal self-helper
Interject disks
White gold, other information
B. internal computers
Installation of the standard programming.
Front programs of front computer.
Programmer access to the computer areas.
C. internal hierarchies
The internal hierarchies form rationales
Chapter 12 science no. 12-external controls
Asset control
Building families and communities that have interwoven programming
Boarding schools & body programming.
When controls fail, the final solution.
Dirty psychiatrists involved with mind control
Dirty tavistock controllers
Remote viewing mind-research
List of programmers (continuation from the list given in vol. 2)
What to look for.
Michael aquino, a military/cult mind-control programmer
Personal history.
Understanding the church of set
Understanding some of aquino’s programming.
Sequelae of abuse
Appendix b. the programming sites
Appendix 3. clones, synthetics, organic robotoids and doubles
Summary of the four methods.
Section a. the "future shock" that this topic subjects the common person to.
Section b. instructions on how to clone a person.
A technique--instructions how to clone a human:
Section c. the four types of ‘clones’ that are used by the illuminati:
C3. organic robotoids.
How the memory of a person is transferred for the organic robotoids.
C4. doubles (look alikes).
Section d. secret cloning sites (see also appendix b, where d.u.m. bases are listed.)
Oregon’s underground secret cloning facility
Further investigations at dulce’s underground cloning facility


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