Glossary of how basic terms are used in this book introduction


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Dance has been associated with color from ancient times, to greek and medieval courts up to modern times with the use of colored floodlights. Keys in music have been associated with colors by many famous musicians.
Beethoven referred to B minor as the black key. Schubert compared E minor to a "girl robed in white with a rose-red bow on her breast". Rimsley-Korsakov interpreted the keys of C, D, A, F, & F# major as white, yellow, rosy, green, and grayish-green. Handel had his own idea of how the keys related to the colors. The brighter hues of a color have been associated by some with the major scale, and the more subdued hues of a color with the minor. Goethe stated that a painting of powerful effect was like a piece of music with a sharp key, while a painting with a muted effect was like music in a flat key.
Certain colors have been associated with violin music. In Wassily Kandinsky’s book The Art of Spiritual
Harmony, we learn a great deal about color and music. The following comes from Kandinsky’s observations, and may relate to Mengele’s programming. The ringing notes of a violin have been associated with a cool red.
The largo of an old violin is associated with orange. The placid middle tones of the violin are associated with absolute green. A dark blue is like a cello. White is like the pauses in music that temporarily break the melody.
Black represents "the final pauses, after which any continuation of melody see the dawn of another world."
The Rainbow Book is definitely the most comprehensive book this author has seen on the significance of color both physically and metaphysically. An interesting chart is given on page 125, which examines the relationship of the frequencies of electromagnetic waves in the visible light spectrum with an octave of music just above middle C. In order to make the comparison (which is charted below) the light frequencies which are 1012 are written without the powers of ten and taken down 40 to match the note octaves. This gives us a chart which we will arrange by:
Using this arrangement we get:
Very dark red/391 .3 = 392/G NOTE darkish red/418 = 415/G# note
Orangish red/445 440/A note light orange/464 = 466/A # note yellow green/495 = 494/B note green/ 523 = 523/
C note
Bluish green/555 = 553/ C# note Indigo/573-600 = 587/D note
Indigo violet-light violet/618-627 = D# note
Dark violet/655-673 = 659/E note
Very dark violet/682 = 698/F note
Although there is no single one-to-one correspondence between music and color, because there are different
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Deeper Insights into the Illuminati Formula by Fritz Springmeier & Cisco Wheeler

patterns to consider and the role of association is such a complex issue, there are several things that naturally suggest themselves: an increase in pitch does seem to suggest an increase in brightness. An increase in brightness also is suggested by an increase in tempo. Colors also fit the mood of a piece of music. A mass of color can suggest the musical ground.
Musical intervals have also been related by the ancients to the orbits of the planets. This began with the spherical theory of the cosmos by Pythagoras, where the different astrological bodies made different sounds.
Another correspondence with merit is to associate colors with "properties", & then associate with music intervals, then assoc. with related cords, and related planets, and then associate with other things.
For instance, Orange would be associated with the Sun, Energy, Glory, and Power. In turn, it would be associated with Re (pronounced "Ray" in music, the whole tone, D). Its related cord would be minor, and its related planet would be the Sun "Apollo." Violet would be death, separation, advanced spirituality. It would be associated with Ti ("Tee") in music, the Maj. 7th, B, and its related planet would be the moon "Diana". There is no way all the different associations can be reviewed here. The chinese have had a number of music-color association schemes, as well as the Hindis, the Tibetans, and others. Is this section on color going somewhere with these associations? Yes, Joseph Mengele, the original Dr. Green (the name Green got passed on to a least one of his proteges), played the violin and piano while doing the color programming to slaves. He was the original master at associating both a tone or chord with a particular color or color scheme. He loved using
Fantasia for programming.

Deeper insights into the illuminati formula by fritz
Chapter 4. science no. 4 - hypnosis
Chapter 5: science no. 5 - the skill of lying, the art of deceit
Chapter 6: science no. 6-the use of electronics & electricity
Chapter 11: science no. 11- internal controls
Appendix 1 - programmers/researchers
Section c. the four types of "clones" that are used by the illuminati,
Warning, read this first before reading the book.
Introduction by fritz
Glossary of how basic terms are used in this book
Chapter 1. science no. 1 - selection & preparation of the victim
Breeding good subjects for hypnosis-hypnosis as it relates to selection & preparation of the
Training the unborn child
Common illuminati work with twins
Selection of adult candidates for mind-control
U.s. govt. mind-control level 1.
U.s. govt. mind-control level 2.
U.s. govt. mind-control level 3.
U.s. govt. mind-control level 5
Testing young children to plan the programming.
Chapter no. 2--the traumatization & torture of the victim
Daily abuse works best for programming
Anger-management-programming traumas
Silence programming traumas to teach silence
Torture for no-write
A trauma to develop animal alters
Trauma to isolate the victim
Chapter 3. science no. 3 the use of drugs
Administration of drugs for programming
More programming drugs (these were not listed in the vol.2 formula book)
Stabilizing the programming
Extensive research done to influence human memory by drugs
The basic phases of memory
Hiding the codes
Programming with lsd-25 (lysergic acid diethylamide)
Chemically triggering natural instinctual drives
Sexual stimulation-programming
Understanding the basics about hypnosis
The power of hypnosis
Understanding the deeper mechanics of hypnosis
Programming aids
Using holograms as an access aid
Preparing the brain
Early training for slaves
Magical training on the starlight level
The monarch programming script for over the rainbow
Deep trance programming
Color programming
Light & color
Special colors
Healing by correct vibrations & rays
Using hypnosis to heal the slave after abuse.
Hypnotic codes, cues and triggers
Monarch mind-control codes
B. beta (sexual)
C. chi (return to cult)
E. epsilon (animal alters)
I. janus-alex call backs (end-times)
J.>> omicron programming
M. songs & nursery rhymes
O. sample codes for alters.
P. catholic programming (by jesuits etc.)
Q. mensa programming (by mensa)
S. scriptures used in programming (cont. from vol. 2. chap. 10)
T. alien programming
Program codes during 1972-1976 for dr. green
The illuminati.
The establishment, the system.
Deception diminishes power
Be wise as serpents
Disinformation to make their double-agents look good
Names of types of disinformation agents
Tricking suspects
The names of deception tricks
One of the greatest deceptions of all time: disney
Observations about how the illuminati like to hide behind perfect
Contents in the disney deception section of chapter 5.
B. an overview
C. who was walt disney?
Personal details
Occult porn king
As a witness before congress
A possible chronology of events surrounding walt disney's illegitimate birth
Walt disney’s character
D. who was roy o. disney?
E. who was roy b. disney?
The battle between the two disney factions
F. what do we know about the disney family in general?
G. a history of disney
Claude debussy
Some disney people of interest.
Warren beatty
Stephen bollenbach
The tommy dorsey band
Rich h. frank
The osmond brothers
Michael ovitz
Frank g. wells
Some of disney’s blatantly occult movies.
H. disney & its mob connections
Some mob history.
How the disney executives have figured out how to steal land all across the u.s.
Disney and the government
J. disney & mind control
Disney vacations for the elite
Disneyana for the programmed & obsessed.
Mind-control features in disney movies.
K. detailed script on how the disney film fantasia is used for programming
Types of sources
Section e. auxiliary uses of electronics & electromagnetic waves
Glossary of terms for understanding electronic mind control
B1. three typical implant victims
B2. documentation of implants.
B3. gwen towers
Section c. specific implants
Brief chronology of audio implants
Basics of how the implants can function
Uses of the implants
Part. b. secretly implanted audio implants.
Cochlear implants
C2. body manipulating implants
C3. visual/holographic implants
How they work
Typesfiber optics
Artificial lenses
Holographic or h-insert
C4. memex/brain link implants
Interface devices
Organic bioprocessors linked to viruses
C5. torture/nerve & muscle stimulation implants
C6. tracking & i.d. implants
Section d. direct monitoring & manipulation of the brain/mind
Tesla waves used to read minds & implant voices
D2. voices / or thoughts sent electronically directly into the mind
Summary of elf wave mind control capabilities
Section e. auxiliary uses of electronics & electromagnetic waves.
E2. polygraphs for monitoring programming and mission accomplishments
Liquid crystals
Bed coils standardized for mind-control potential
E4. virtual reality.
Chapter 7: the science of structuring
A. structuring of mpd worlds
Control alters called processors
The ferris-wheel subsystem
Data entry points
Testing alters to see if they can be used.
Assassination models (delta models).
Authority factors are maximized
Monkey alters.
Presidential models.
Prostitute models.
Reporting alters.
Repunzel alter.
Internal wall alters.
Structuring with the grand druid council.
Structuring the shadow alters
Structuring in the mirrors
Structuring the tapestry
Chapter 8: the science of body manipulation & programming
A. cranial manipulation
Cranial blood pressure has been kept a secret
Cerebral spinal fluid kept secret
The chinese secret occult society connection
The ancient egyptian connection
Another example
The japanese connection
The early european occult connection
Nineteenth century occult connection
The witchcraft connection
The modern american occult connection
Osteopathy and chiropractic
Bone & skull structure
Cerebrospinal fluid
Transcendental meditation (tm) & the hindu connection
The 3-in-one school connection.
B. genetic engineering
What we’ve covered
Chapter 9: the science of mind manipulation by psychological
Programming to hide revealing dreams
Programming language
Effects of programming
Perception clouds memory
Chapter 10: the 10th science — using spiritual things to control a
Part a. intro on the importance of spiritual programming tactics
Part b. the history of the programmed golem
Part c. the 3 foundations: loss of identity, fear, and demons
Understanding the relationship between fear & demons
Demon possession & spirit guards
The use of giving demonic assistance to entrap.
The use of occult focal points.
Does it glorify demons to cast them out?
Part d. a complete chronology of how the victim experiences the early spiritual
Part e. specific programming maneuvers. the manipulation of near-death-
Hiding the internal self-helper
Interject disks
White gold, other information
B. internal computers
Installation of the standard programming.
Front programs of front computer.
Programmer access to the computer areas.
C. internal hierarchies
The internal hierarchies form rationales
Chapter 12 science no. 12-external controls
Asset control
Building families and communities that have interwoven programming
Boarding schools & body programming.
When controls fail, the final solution.
Dirty psychiatrists involved with mind control
Dirty tavistock controllers
Remote viewing mind-research
List of programmers (continuation from the list given in vol. 2)
What to look for.
Michael aquino, a military/cult mind-control programmer
Personal history.
Understanding the church of set
Understanding some of aquino’s programming.
Sequelae of abuse
Appendix b. the programming sites
Appendix 3. clones, synthetics, organic robotoids and doubles
Summary of the four methods.
Section a. the "future shock" that this topic subjects the common person to.
Section b. instructions on how to clone a person.
A technique--instructions how to clone a human:
Section c. the four types of ‘clones’ that are used by the illuminati:
C3. organic robotoids.
How the memory of a person is transferred for the organic robotoids.
C4. doubles (look alikes).
Section d. secret cloning sites (see also appendix b, where d.u.m. bases are listed.)
Oregon’s underground secret cloning facility
Further investigations at dulce’s underground cloning facility

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