Glossary of how basic terms are used in this book introduction

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"The story of Disney’s silent film career is not so much a struggle for artistic expression as it is a fight for commercial stability." During the 1920’s, Walt stayed safely within the confines of comic animation as defined by others, such as the producers of Felix the Cat, Koko the Clown, and Krazy Kat. In other words, when many of the ideas were coming from just himself, Disney’s movies were not any better than others. In the 1930’s,
Disney got some of the best talent available and he began to settle for only the best results from that talent. With the mob, and the Illuminati behind him, and driven by an indebtedness to them, Disney began to achieve outstanding results in animation. Between 1924 and 1927, Walt Disney made a series of 56 silent Alice
Comedies which used three different girls (6-year-old Virginia Davis, Margie Gay and Lois Hardwick) to act as
Alice who romps around in a make-believe cartoon world. These cartoons combined live action and animation.
By the time the series was done, Walt Disney wanted to try working solely with animation.
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Margaret Winkler in NY (who married Charles Mintz) distributed Walt Disney’s Alice Comedies. From the beginning, children were the center of everything Walt did. The occult world that backed Walt, as well as Walt himself, believed that if they could bring out "the child" (that part of a person called "the child" by various psychologists), then they could appeal to the curiosity and feelings of the "child" part of adults. If it worked with adults, they could do the same with the child part in children. They knew even in the 20’s & ’30’s what had to be accomplished in the secret Great Plan for a New World Order. The Illuminati Great Plan called for family life to be destroyed, for children to rebel against their parents, and for the world to become more violent.
Children needed to immerse in images of violence so that a violent society could be created.
For instance, the 1925 film Alice Stage Struck shows little girl Alice strapped to a log leading to a buzz saw.
They also wanted to make occultism--witchcraft the common belief of the American people. The Illuminati felt they could bring in witchcraft if they appealed to the curiosity of the child in every adult. For instance, the
Donald Duck cartoon Corn Chips (1951) shows Donald harassing Chip and Dale who then get back at him by stealing a box of popcorn and spreading it all over the front yard. Now what does a cartoon like this teach kids?
It teaches that stealing to repay a grudge is O.K. and that doing pranks is funny.
In Disney’s 1920 films, he shows kids cutting school, shoplifting and playing hookey. He shows Alice running away from responsibility to have adventure. He shows prisoners escaping and hobos escaping work. His films are expression of misbehaviour being successful. What does this teach children? In the 1951 cartoon, Get Rich
Quick Goofy wins money at poker and his initially angry wife who doesn’t like gambling forgives him when she sees how much he’s won. Goofy indicates that they can have a spending spree by telling his wife, "Easy come, easy go!" The gambling spirit is a very powerful spirit that the Illuminati want to instill in this nation.
How can a cartoon that promotes gambling be wholesome for children?
Lt. Col. Dave Grossman is a military expert on how to condition people so that they will kill. He writes in his superb book On Killing (Boston, MS: Little Brown & Co., 1996) that the same process that the government has used to condition soldiers to kill, is being used by the entertainment industry. The only major difference is that in the military, men are taught to kill only on command, while our children are being taught to kill whenever they want to via TV’s "entertainment." Grossman states on page 308, that the conditioning to kill begins with cartoons. "It begins innocently with cartoons and then goes on to the countless acts of violence depicted on TV as the child grows up... .Then the parents, through neglect or conscious decision, begin to permit the child to watch movies rated R due to vivid depictions of knives penetrating and protruding from bodies, long shots of blood spurting from severed limbs, and bullets ripping into bodies and exploding out the back in showers of blood and brains." While children see horrible deaths on T.V., they learn to associate this suffering with entertainment, pleasure and their favorite soft drink, their favorite candybar, and close intimate contact with their date. (See On Killing, p. 302)
Disney has the appearance of Wholesomeness; this appearance is quite deceptive. A close study of Disney cartoons will reveal lots of violence that could not be depicted if the violence was actually real life & not animation. It’s the wholesome front which is one of the deceptions that makes Disney cartoons & films so dangerous. Yes, the image of Disney has been that its cartoons are wholesome. No wonder Illuminati mind- control programmers have laughed at how naive the American public is toward Disney. The Disney Gargoyles cartoons are a television series that is pure demonology. The story line is that a race of demons protects New
York City. One of the Gargoyles is even named Demona. The Illuminati programmers are amazed at how stupid the masses of people are, and how easily deceived.
How the Disney movies are used as programming scripts is very involved so only one detailed example is given at the end of this chapter. The Illuminati and Mafia knew that Walt had the ability to get the job done that the
Great Plans called for. (Source: confidential interview.) They knew they had the "carrots and the sticks" to get him to cooperate. There is no doubt that Walt was a hard worker who in turn expected high standards from his employees. One co-worker of Walt wrote, "Walt made a simple statement, that you can lick them with ‘product’ if you make your product good enough, they cannot deny it.. . .In Walt’s estimation, everything that was done had to be executed with a great deal of thought and finesse." Neelands, Barbara, compiler. About Ben
Sharpsteen, article by David R. Smith (2nd Impress.) Calistoga, CA: A Sharpsteen Museum Reprint, pg. 2-3.
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One big turn in Walt’s outlook toward quality came in April, 1927 when the head of Universal Studios wrote a scathing report on the quality of Disney studio work. It forced Walt to realize that up to then he had been slipshod and sloppy. He resolved to never take the easy way, but to work with dedication toward making his drawings come to life with character and interesting situations. In 1922, Walt made a film Cinderella. This is not to be confused with the later animated film also of the same title released in 1950. The 1950 feature was re- released numerous times. The Alice cartoons were made with a 6- year-old girl playing Alice. The first six Alice comedies had extensive live-action beginnings, and then went into cartoon. A few of the 1920’s Alice silent cartoon titles include:
Alice’s Wonderland (1923)
Alice Hunting in Africa (1924)
Alice’s Spooky Adventure (1924)
Alice Plays Cupid (1925)
Alice Cans the Cannibals (1925)
Alice Rattled by Rats (1925)
Alice Chops the Suey (1925)
Alice Charms the Fish (1926)
Alice the Whaler (1927)
Alice the Beach Nut (1927)
After the Alice Series, Disney began a fully animated series called Oswald the Lucky Rabbit. Here we see the occult concept of luck (who hasn’t heard of a lucky Rabbit’s foot?) being subtly promoted. Disney cartoon may entertain, but they also indoctrinate while they entertain. In 1926, Walt Disney signed an agreement with Mintz and Film Booking Offices (EBO).
Film Booking Offices were Illuminati kingpin/mob boss Joseph Kennedy’s company. For at least the next years,
Disney worked under the control (auspices) of Illuminati kingpin Kennedy. All of the Disney pictures were registered by R-C Pictures Corp., one of the parent companies of Kennedy’s FBO. Joseph Kennedy also controlled the RKO studio which worked together with the other big studios to insure that no small studio would develop as a competitor. By 1937, all the big studios--20th Cent., Paramount, MGM, Warner Bros., Cohn’s
Columbia Pictures and Kennedy’s RKO were allowing the mob to skim money from them.
Kennedy’s RKO gave Walt a guarantee in 1937 that they’d distribute Snow White sight unseen. Walt Disney had their films distributed by Kennedy’s RKO from 1936 to 1956. Another little known detail is that in 1926,
Leon Schlesinger (future producer at Warner Bros.) subcontracted animation jobs to Disney. One of these was
Universal’s The Silent Flyer. In 1928, Steamboat Willie debuted. This was an animated cartoon with a soundtrack starring a mouse later named Mickey Mouse. It had taken lots of hard work and determination on
Walt’s part, but it was the first cartoon with a sound track and it was successful.
In 1929, the cartoon The Haunted House came out. The story is, Mickey Mouse is forced by a storm into a house full of ghosts who force him to contribute to their spooky musicale. In 1930, Harry Cohn, one of the most ruthless and unsavory characters controlling a studio bailed Walt Disney out of Walt’s trouble with con- artist Pat Powers who was stealing Disney’s money. Harry Cohn was a former NY pool hustler and gambler who was brought in by Chicago investors to front their investments in Columbia Pictures, and run their studio.
He wore a sapphire ring that the Chicago mafia man Johnny Roselli gave him. Roselli later became a rogue asset of the CIA, and testified before Congress (the Church Committee on Assassinations in ‘74) about a CIA contract which was handed him. Roselli worked for the Mafia Council of 9, which incl. Anthony Accardo and
Sam Giancana. Harry Cohn was said by some to be the most hated man in Hollywood. His money gave him "the power of an emperor". His money got him the best female flesh available which he used for his pleasure. He always seemed to arrive from Las Vegas with rolls of new greenbacks, which had close associates wondering where all the money came from that he always got when he made trips to Las Vegas.
In 1931, Walt went into a long suicidal depression that lasted into 1932. In the summer of 1932, he took a vacation to try and recover from his nervous breakdown. By 1932, Ingersoll had marketed its first edition of
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Mickey Mouse watches. Disney products have served as a model of consumerism for the world. Disney watches have been made continuously since 1932 or ’33. In 1932, eighty major U.S. corporations (such as General
Foods, RCA & National Dairy) began to market Disney products. Ed Sullivan began regularly running stories that bragged about Disney’s work. Freemason Dr. Rufus B. von Kleinsmid, pres. of the Univ. of So. Cal., gave
Disney an award from Parents magazine for Walt’s "work with children". In 1932, several artists who had worked for William Randolph Hearst came to work for Disney.
In 1932, Roy switched Disney from Columbia to United Artists. United Artists agreed to front Disney $15,000 for each cartoon. In the 1930’s, the Illuminati’ Bank of America financed Walt Disney. Years before, the Bank of America had been quietly created from Bank of Italy which was controlled by the same oligarchy that has run the Knights of Malta and renaissance Venice. The Bank of Italy was a powerful bank in Hollywood’s first years. It’s representatives A.P. and Atillo Giannini financed Walt during the 1920’s with petty cash to keep him going, but not enough to get him out of financial bondage. Joe Rosenberg of Bank of America was sympathetic to Walt. Joe Rosenberg, a Jewish banker, came to all of Disney’s board meetings, sat beside Walt, and would advise Walt on what direction Disney Studios should take. Joe wasn’t a board member, but his advice got high priority.
Bank of America also bankrolled other Illuminati projects and organizations. Bank of America had one of their branch offices on Disneyland’s Main St. from ’55 until ‘93. They were open on holidays and Sundays for
Disneyland. Bank of America is slated to be perhaps the only bank to survive the economic crash, when the
Illuminati kingpins will allow their own banks to crash. Bank of America executive S. Clark Beise (who is a
Scottish Rite Freemason) has been a member of Disney’s board of directors from ‘65 to ’75.
One of the biggest depositors in Bank of America is Roy E. Disney. Other Disney execs like Rich Frank have also used Bank of America as their bank of choice. The Bank of America bankrolled the Disney animation
Snow White. Walt managed to sell Joseph Rosenberg on the idea, at a time when old time Hollywood people were advising Rosenberg that Snow White could only be a failure. When Snow White was successful, Walt announced a monster party for all Disney workers at Lake Norconian, near Palm Springs, southeast of San
Bernandino, CA where the cost of everything the Disney workers wanted to order--food or drink or whatever, would be taken care of by the Disney’s.
Under the full moon, the Disney male and female workers, finally free of the tight rules at the studios, had what amounted to a Roman orgy and a large nude skinny-dip at the lake. Almost all of the Disney workers participated in the orgy and Disney had only two options, 1. fire them all or 2. ignore that the party took place.
Walt choose the later option, and after that no-one ever dared mention the party in his presence.
In 1937, Walt and Roy took a trip to Europe where Walt dined with the British Royal family, & met privately with H.G. Wells, the masonic prophet! planner of what Wells & other masons called "the New World Order". In
Paris, the League of Nations (the forerunner to the U.N.) gave him an award.
After the success of Snow White, Disney chose Pinocchio to follow it. Many have asked why Pinocchio was chosen by Walt. If you look at the script, the puppet maker's wife is taken out of the original script, and there is an emphasis on the little wooden puppet visualizing becoming a flesh & blood son to the man who had created him. Here we have a boy with no soul, who is told if he works hard he will be given one. (Does this sound familiar to readers of VoL 2?) The script was definitely changed to have a storyline far more useful to mind- control programming.
For those who think Walt simply recreated fairy tales on the screen, if one examines the changes that are made from the original storylines, they are changed to make them more useful for mind-control. Both Snow White and Pinocchio have occult type "deaths and resurrections".
After W.W. II, Joseph Rosenberg persuaded A.P. Giannini, his boss, to bankroll Disney again. Although Walt was financed by the Mishpucka (Jewish Mafia), he didn’t like the idea. Richard Rosenberg, a later Pres. of Bank of America, is also Mishpucka. Richard Rosenberg (his mother was a Cohen) was also in charge of Northrop
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Corp. and Marin Ecumenical Housing Assn. (Other examples of Mishpucka executives are R. Goldstein, v.p. of
Procter & Gamble, and Marvin Koslow, v.p. of Bristol Meyers Co.)
In the 1930’s, the elite promoted Disney’s new cartoons. In 1935, Walt Disney received the French Legion of
Honor for his Mickey Mouse cartoons. Also in 1935, the Queen of England (who readers of my previous articles will realize is Illuminati, involved in drug trade, and is involved with the leadership of Freemasonry) and the
Duchess of York (also Illuminati) selected Mickey Mouse chinaware as gifts for 600 children. This was after
Walt spent time with her in 1934.
The League of Nations (the pre-W.W. II equivalent of the U.N.) took the time to vote its approval of Mickey
Mouse. (Finch, Christopher. The Art of Walt Disney from Mickey Mouse to the Magic Kingdom . NY: Harry
N. Abrams, Inc., 1975, p. 53.) There is no doubt that Walt Disney had talent. There is also no doubt from the record that powerful people wanted to promote him. No doubt his 320 Masonic membership and his DeMolay activities helped boost his support, and also helped Walt’s bent toward the occult.
Let’s digress just to let people in on Freemasonry’s involvement with acting and motion pictures. The famous
233 Club was a Masonic chapter for actors who were Freemasons. Examples of actors who were Freemasons include John Aasen, Gene Autry, Monte Blue and Humphrey Bogart, Douglas McClean, John Wayne.
Then there is T.V. DJ Dick Clark. Examples of Motion picture executives who were Freemasons incl. Ellis G.
Arnall (Pres. of the Soc. of Ind. Motion Picture Producers), Will H. Hays (Czar of motion pictures 1922-45, and
Pres. Motion Picture Produces & Distributors of Amer. Inc.), Benj. B. Kahane (v.p. & dir. Assoc. of Motion
Picture Producers, Inc.), Carl Laemmle (Pres. Univ. Pictures Corp til ’36), Frank E. Mullen ( man. dept of info.
RCA, VP NBC ‘39-’46, exec. VP NBC ‘46-’48), David Sarnoff (Chrm. of Bd. Radio Corp. of Amer. & ,,father" of American television), Jack M. Warner (v.p. of Warner Bros.) and the President & dir. of Universal Pictures since 1952. The Freemasons have made much of Walt Disney’s membership in their membership sales pitches.
Because the 2 Disney brothers’ chief contributions to the production of Disney films were the finances and occasionally the ideas used in a film, it is rather misrepresentative of things that Walt Disney got all the credit for the success and quality of the Disney cartoons.
He was showered with 700 awards and honors from important people, including 30 oscars, and the Presidential
Medal of Freedom (in ’64). Walt Disney’s great animators never got the credit they deserved, but no one should forget that Walt was the driving force that inspired and guided his workers.
In 1934, Walt Disney made a cartoon about a goddess of the Mystery Religions named Persephone. In the cartoon entitled The Goddess of Spring, the goddess Persephone is captured by Satan as his bride and sent to the underworld, with the agreement she could return to earth six months of each year. The Illuminati have rituals around Persephone. On Dec. 21, 1937, Disney premiered the first full-length color cartoon movie "Snow White and the Seven Dwarfs." This cartoon had taken $1.4 in depression-time money and three years to make. Over
750 artists worked on the film. Walt Disney had gotten the idea from a silent movie of Snow White which he saw as a boy in 1917. The movie has an important occult theme to it, and has been used for occult mind-control programming.
When the 1940’s got started, Disney was in financial difficulties. At this point, Nelson Rockefeller hired his cartoon capabilities to make cartoons for South America, with the idea that South Americans would remain loyal to the American capitalist hegemony, rather than shift to rising ideologies of fascism/nazism, if they saw
Walt Disney cartoons.
In Rio de Janeiro, Brazil on 8/24/42, Disney did its world premiere of Saludo Amigos, a 42 minute feature about
Latin America. Goofy becomes a gaucho, a parrot teaches Donald Duck to dance the samba, as well as Disney art showing various landscapes of Brazil in the film.
However, the film The Three Caballeros, if it was meant to encourage South American loyalty to American capitalism, completely failed. The Three Caballeros showed a sexually lecherous Donald Duck who in bad taste
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tries to make it with Latin women. The mysticism was also seen as bogus. Although the Latin Americans hated the film, the establishment media’s Look magazine praised it. Another reason that Rockefeller sent Walt to
South America was to get him out of the way so that the government could settle the strike by Disney workers.
Nelson Rockefeller was the government’s Coordinator of Inter-American Affairs, a good position considering how much of South America the Rockefeller’s controlled. Rockefeller told Disney that Disney couldn’t beat the strikers, but that while Walt was in South America, FDR would see to it that the strike got settled.
When Disney returned he submitted to the powers that were, and accepted the unions and the mafia’s control.
Another change for Walt Disney was that in 1940, he and Roy turned Disney into a "public corporation" and initially sold 755,000 shares of common stock. The Illuminati Boston firm of Kidder, Peabody & Co. were the underwriters of the studio’s public stock-offerings.
By 1940, the Disney Studio at Burbank had become a miniature city with 1,000 men & women employees and
20 buildings on a 51 acre tract of land. After the U.S. joined W.W. II, Disney Productions were made a part of the American military establishment. The very next day after Pearl Harbor, the military moved onto the Disney
Studio, which leads this author to suspect that Disney was already part of the power establishment prior to the war breaking out. Disney made military movies/cartoons that taught the different branches of the military many things. They made propaganda movies for the allies.
One series of films was "Why we fight." Disney made movies for the IRS to get people to pay their taxes. Some of the Disney films were top, secret, and concerned secret military weapons or secret psychological tactics of the Americans. For instance, one military film was "Army Psycho Therapy" which taught army men how to instill fear, and about the basics of fear. Another army film was "Prostitution & the War". Another showed a carrier pigeon evading the Germans. In 1940, Disney came out with 2 full length animated cartoons, Pinocchio and Fantasia, both of which were soon used for Illuminati mind-control programming. Fantasia contains
Schubert’s sacred Catholic music Ave Maria, which was used in a concluding segment side to side with the profane Night on Bald Mountain song, as well as six other classical pieces of orchestra music.
As a feature cartoon it was a flop, but as a programming tool it was fantastic. Fantasia receives a comprehensive explanation of how it is used for mind-control programming at the end of this chapter. Because an explanation of the use of a Disney film for mind-control is complex, this explanation is placed at the end of the chapter so that it won’t interrupt the flow of this chapter’s information. The Pinocchio film has been redone and released 9 times over the years. Some of the next full length animated films to come out were: The Three Caballeros
(1945) The Adventures of Ichabod & Mr. Toad (‘49) Cinderella (1950) Treasure Island (1950) Alice In
Wonderland (1951) The Story of Robin Hood & His Merrie Men (1952) Peter Pan (1953) 20,000 Leagues
Under the Sea (1954) Sleeping Beauty (1959) Very soon after the production of all of these movies, the
Illuminati and their intelligence agencies used them for Illuminati total mind-control programming.
To see their misuse as programming scripts one has to understand how the fantasy worlds of a programmed multiple are created and how the movie scripts are adapted to be programming scripts. Vol. 2 gave quite a few examples of how Alice In Wonderland and the Wizard of Oz scripts were used for programming scripts. When
Disney had his animal-nature documentaries, he edited and used narration to give the animals human like characteristics--something he’d already been doing with animation. Disney played an important part in the
Illuminati’s plan to elevate animals and dehumanize humans.
One of the biggest Illuminati kingpins, and leader (Grand Master) of the Prieure de Sion was Frenchman

Deeper insights into the illuminati formula by fritz
Chapter 4. science no. 4 - hypnosis
Chapter 5: science no. 5 - the skill of lying, the art of deceit
Chapter 6: science no. 6-the use of electronics & electricity
Chapter 11: science no. 11- internal controls
Appendix 1 - programmers/researchers
Section c. the four types of "clones" that are used by the illuminati,
Warning, read this first before reading the book.
Introduction by fritz
Glossary of how basic terms are used in this book
Chapter 1. science no. 1 - selection & preparation of the victim
Breeding good subjects for hypnosis-hypnosis as it relates to selection & preparation of the
Training the unborn child
Common illuminati work with twins
Selection of adult candidates for mind-control
U.s. govt. mind-control level 1.
U.s. govt. mind-control level 2.
U.s. govt. mind-control level 3.
U.s. govt. mind-control level 5
Testing young children to plan the programming.
Chapter no. 2--the traumatization & torture of the victim
Daily abuse works best for programming
Anger-management-programming traumas
Silence programming traumas to teach silence
Torture for no-write
A trauma to develop animal alters
Trauma to isolate the victim
Chapter 3. science no. 3 the use of drugs
Administration of drugs for programming
More programming drugs (these were not listed in the vol.2 formula book)
Stabilizing the programming
Extensive research done to influence human memory by drugs
The basic phases of memory
Hiding the codes
Programming with lsd-25 (lysergic acid diethylamide)
Chemically triggering natural instinctual drives
Sexual stimulation-programming
Understanding the basics about hypnosis
The power of hypnosis
Understanding the deeper mechanics of hypnosis
Programming aids
Using holograms as an access aid
Preparing the brain
Early training for slaves
Magical training on the starlight level
The monarch programming script for over the rainbow
Deep trance programming
Color programming
The association of colorful sights, sounds, rhythm & dance.
Light & color
Special colors
Healing by correct vibrations & rays
Using hypnosis to heal the slave after abuse.
Hypnotic codes, cues and triggers
Monarch mind-control codes
B. beta (sexual)
C. chi (return to cult)
E. epsilon (animal alters)
I. janus-alex call backs (end-times)
J.>> omicron programming
M. songs & nursery rhymes
O. sample codes for alters.
P. catholic programming (by jesuits etc.)
Q. mensa programming (by mensa)
S. scriptures used in programming (cont. from vol. 2. chap. 10)
T. alien programming
Program codes during 1972-1976 for dr. green
The illuminati.
The establishment, the system.
Deception diminishes power
Be wise as serpents
Disinformation to make their double-agents look good
Names of types of disinformation agents
Tricking suspects
The names of deception tricks
One of the greatest deceptions of all time: disney
Observations about how the illuminati like to hide behind perfect
Contents in the disney deception section of chapter 5.
B. an overview
C. who was walt disney?
Personal details
Occult porn king
As a witness before congress
A possible chronology of events surrounding walt disney's illegitimate birth
Walt disney’s character
D. who was roy o. disney?
E. who was roy b. disney?
The battle between the two disney factions
F. what do we know about the disney family in general?
Claude debussy
Some disney people of interest.
Warren beatty
Stephen bollenbach
The tommy dorsey band
Rich h. frank
The osmond brothers
Michael ovitz
Frank g. wells
Some of disney’s blatantly occult movies.
H. disney & its mob connections
Some mob history.
How the disney executives have figured out how to steal land all across the u.s.
Disney and the government
J. disney & mind control
Disney vacations for the elite
Disneyana for the programmed & obsessed.
Mind-control features in disney movies.
K. detailed script on how the disney film fantasia is used for programming
Types of sources
Section e. auxiliary uses of electronics & electromagnetic waves
Glossary of terms for understanding electronic mind control
B1. three typical implant victims
B2. documentation of implants.
B3. gwen towers
Section c. specific implants
Brief chronology of audio implants
Basics of how the implants can function
Uses of the implants
Part. b. secretly implanted audio implants.
Cochlear implants
C2. body manipulating implants
C3. visual/holographic implants
How they work
Typesfiber optics
Artificial lenses
Holographic or h-insert
C4. memex/brain link implants
Interface devices
Organic bioprocessors linked to viruses
C5. torture/nerve & muscle stimulation implants
C6. tracking & i.d. implants
Section d. direct monitoring & manipulation of the brain/mind
Tesla waves used to read minds & implant voices
D2. voices / or thoughts sent electronically directly into the mind
Summary of elf wave mind control capabilities
Section e. auxiliary uses of electronics & electromagnetic waves.
E2. polygraphs for monitoring programming and mission accomplishments
Liquid crystals
Bed coils standardized for mind-control potential
E4. virtual reality.
Chapter 7: the science of structuring
A. structuring of mpd worlds
Control alters called processors
The ferris-wheel subsystem
Data entry points
Testing alters to see if they can be used.
Assassination models (delta models).
Authority factors are maximized
Monkey alters.
Presidential models.
Prostitute models.
Reporting alters.
Repunzel alter.
Internal wall alters.
Structuring with the grand druid council.
Structuring the shadow alters
Structuring in the mirrors
Structuring the tapestry
Chapter 8: the science of body manipulation & programming
A. cranial manipulation
Cranial blood pressure has been kept a secret
Cerebral spinal fluid kept secret
The chinese secret occult society connection
The ancient egyptian connection
Another example
The japanese connection
The early european occult connection
Nineteenth century occult connection
The witchcraft connection
The modern american occult connection
Osteopathy and chiropractic
Bone & skull structure
Cerebrospinal fluid
Transcendental meditation (tm) & the hindu connection
The 3-in-one school connection.
B. genetic engineering
What we’ve covered
Chapter 9: the science of mind manipulation by psychological
Programming to hide revealing dreams
Programming language
Effects of programming
Perception clouds memory
Chapter 10: the 10th science — using spiritual things to control a
Part a. intro on the importance of spiritual programming tactics
Part b. the history of the programmed golem
Part c. the 3 foundations: loss of identity, fear, and demons
Understanding the relationship between fear & demons
Demon possession & spirit guards
The use of giving demonic assistance to entrap.
The use of occult focal points.
Does it glorify demons to cast them out?
Part d. a complete chronology of how the victim experiences the early spiritual
Part e. specific programming maneuvers. the manipulation of near-death-
Hiding the internal self-helper
Interject disks
White gold, other information
B. internal computers
Installation of the standard programming.
Front programs of front computer.
Programmer access to the computer areas.
C. internal hierarchies
The internal hierarchies form rationales
Chapter 12 science no. 12-external controls
Asset control
Building families and communities that have interwoven programming
Boarding schools & body programming.
When controls fail, the final solution.
Dirty psychiatrists involved with mind control
Dirty tavistock controllers
Remote viewing mind-research
List of programmers (continuation from the list given in vol. 2)
What to look for.
Michael aquino, a military/cult mind-control programmer
Personal history.
Understanding the church of set
Understanding some of aquino’s programming.
Sequelae of abuse
Appendix b. the programming sites
Appendix 3. clones, synthetics, organic robotoids and doubles
Summary of the four methods.
Section a. the "future shock" that this topic subjects the common person to.
Section b. instructions on how to clone a person.
A technique--instructions how to clone a human:
Section c. the four types of ‘clones’ that are used by the illuminati:
C3. organic robotoids.
How the memory of a person is transferred for the organic robotoids.
C4. doubles (look alikes).
Section d. secret cloning sites (see also appendix b, where d.u.m. bases are listed.)
Oregon’s underground secret cloning facility
Further investigations at dulce’s underground cloning facility

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